דף הביתשיעוריםTefillah

Tefillah 038

נושא: Tefillah

Bet Midrash Virtuali

BET MIDRASH VIRTUALI

of the Rabbinical Assembly in Israel


HALAKHAH STUDY GROUP


Today's shiur is dedicated by Andrew Hoffman
in memory of his father,
Ronald Carl Hoffman,
Ruven Chaim ben Yaakov, z"l,
whose Yahrzeit was yesterday, Shushan Purim.


THE HALAKHAH OF TEFILLAH

In the morning [the worshipper] recites two benedictions before it [the Shema] and one after it, and in the evening two before it and two after it – one long and one short. Any place where they [the sages] said it should be long one is not permitted to make it short and [any place where they stipulated that it should be] short one is not permitted to make it long; [any place where they stipulated that] one should conclude one is not permitted not to conclude and [any place where they stipulated that] one should not conclude one is not permitted to conclude.

EXPLANATIONS (continued):

40:
The Hymn El Adon is followed by a passage which is also hymn-like, but is clearly prose rather than poetry. This passage, which begins with the words La'El Asher Shavat mi-Kol ha-Ma'asim, is to be found in Siddur Sim Shalom on page 109 and in Siddur Va'ani Tefillati on page 335.

41:
In the old liturgy of Eretz-Israel (which died out towards the end of the middle ages) there was a difference between the text recited by the individual worshipper and that recited out loud by the cantor. This was because the cantor was expected to beautify his rendition by expanding the basic text with suitable compositions of his own. Originally these liturgical additions were no doubt extempore; but luckily for us gradually many cantors used to prepare for themselves a crib for their personal use and many of these cribs found their way into the Cairo Genizah. The embellishment of the text of the first benediction before the Shema was considered de rigeur. The additional passages that we have already discussed (ha-Kol Yodukha and El Adon ) were no doubt relics of this custom, and so is La'El Asher Shavat.

42:
The Mishnah [Tamid 7:4; see Tamid 07, Mishnah 4] prescribes a different psalm for each day of the week and this psalm was originally rendered in the Bet Mikdash by the levitical choir and orchestra while the daily sacrifice was being offered. Each of these psalms was later incorporated into the daily service in the synagogue. It seems that one of the artistic efforts of the cantors was to connect in some way or other their elaboration of the first benediction before the Shema with the psalm of the day. The special psalm for Shabbat is Psalm 92 (see Tefillah 020). La'El Asher Shavat seems to be just such a liturgical attempt.

43:
The well-known peroration of the creation story [Genesis 2:1-3] describes God anthropomorphically as resting from His six days of creative labour on the seventh day. The author of La'El Asher Shavat builds on this idea. The heavenly host, mentioned at the very end of the previous hymn, are described as offering praise

To the God who ceased from all activity; on the seventh day He rose and sat on His glorious throne. [Thus] He robed the day of rest with beauty, calling the Sabbath day a delight.

Here the author is taking poetic licence; because it was not God who called the Sabbath day a day of delight but the prophet whose message is preserved in the book of Isaiah:

If you refrain from travelling on the sabbath, from pursuing your affairs on my holy day; if you call the sabbath "a delight," God's holy day "honoured"; and if you honour it by not going about your regular ways nor look to your affairs, nor talk about mundane things – then you will delight in God. I will set you astride the heights of the earth, and let you enjoy the heritage of your father Jacob… [Isaiah 58:13-14].

Presumably, our author relies on the fact that the prophet is speaking in God's name.

44:
The hymn now continues as the author makes the connection between his hymn and the psalm of the day:

That on it God ceased from all His work is praise for the seventh day. And the seventh day itself offers praise, saying, "A psalm, a song for the sabbath day. It is good to praise God, to sing hymns to Your name, O Most High" [Psalm 92:1-2].

Clearly, the author of our present hymn understands the heading of this psalm as being "A psalm a song by the Sabbath day" and therefore what follows are the words of praise uttered metaphorically by the day of rest.

45:
There are some who hold that remainder of this hymn may be a later addition since the following passage forms a kind of bridge to the next item in the liturgy. But I do not think that it is necessary to make such an assumption, because what remains of the hymn is also a very suitable conclusion to what has preceeded:

Therefore, all that God has created must praise and bless Him. They must offer praise, honour and greatness to God the King, Creator of everything, Who in His holiness grants rest to His people Israel on the holy Sabbath. May Your name, O Lord our God, be sanctified … in the heavens above and on the earth beneath. Be blessed, our Saviour, for the wondrous works of Your hand, and let them [i.e. the heavenly and the terrestrial hosts] laud You for the luminaries that You made.

And thus, with considerable artistry, the author has finally brought his composition back to what is the required main theme of this benediction: the passage from night to day and the arrival of daylight.

To be continued.

DISCUSSION:

It is now several times that we have discussed the origin of the custom that ten adults constitute a minyan [quorum] for certain liturgical elements (devarim she-bi-kedushah). Originally I offered the rabbinic explanation that the number ten was based on the number of spies who gave a negative report to Moses in the desert. Others suggested that it was better to base the requirement for ten on the lowest number of righteous people to be found in the town of Sodom in the Genesis story. Now Dov Goldberg counters this latter suggestion:

My father, Rabbi Solomon Goldberg, always suggested that were the number 10 for the minyan tied by the rabbis to the Abraham story, then we might be inclined to suppose that a minyan can only be composed of 10 righteous Jews (tzadikim). However, by being tied to what God calls in Numbers 14:27 the edah ra’ah (“evil community”) precisely the opposite point is made. As long as 10 Jews come together for the purpose of worshipping God they form a praying community capable of sanctifying God regardless of the degree of their individual imperfections.

I respond:

I love it! Indeed, often the rabbis say that for a congregation to be effective it must be assumed to have both righteous and sinful people in it.



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